Ray Manzarek with X. Besides being in The Doors, Manzarek produced the 1st four X albums, worked with Echo and The Bunnymen, and backed Iggy Pop. R.I.P., Ray.
At a public lecture in Pittsburgh in 1934, four hundred lucky students were privy to a lecture by Albert Einstein, in which the great man mathematically derived his famous mass-energy equivalence equation: E=mc2. What you see above is a photo from that lecture, and what is thought to be the only surviving photo that shows Einstein working on that derivation.
The photo was pulled from a halftone newspaper clipping by David Topper and Dwight Vincent of the University of Winnipeg, who discovered it in 2007. Sadly, everything is a bit fuzzy so you can’t really make out the famed equation itself. And even though the original article had a crisp picture of Einstein posing next to one of his blackboards, he’s next to the wrong one.
Here’s a closer look at the man and the math. If you look closely, you’ll see the mass-energy equivalence in the lower left hand corner of the blackboard on the right:
Fortunately, Topper and Vincent managed to take the blurry photo and reproduce both blackboards in their original paper. Here’s the math behind the magic, the derivation of mass-energy equivalence as presented by Albert Einstein.
In case you’re wondering why the famous equation says Δ
Jay DeFeo - The Rose (1958-69)
“The story of Jay DeFeo and The Rose is both a cautionary tale of obsession and an inspiring tale of determination and belief. She began working on The Rose in 1958. She was 29 years old and for the next eight years, she did little else but sit on a stool in her studio, smoking cigarettes, drinking Christian bothers brandy while she painted and scraped away at her vision.
First titled The Deathrose, then The White Rose and finally just The Rose, DeFeo only stopped working on the painting when an increase in rent forced her from her studio. By then it was 1966, her marriage was ending, she was in fragile physical and mental health, and The Rose had become too large to fit out the door.
At nearly 12 feet high and in places eight inches thick, The Rose was constructed from layer upon layer of built up and scraped away black and white paint. DeFeo added mica chips to the paint and so The Rose has its own interior light.”
The Rolling Stones at my studio #1
Watch it for free on hulu:
Swiss artist Felice Varini is know for his large scale projections of geometric forms onto rooms and exterior spaces. His latest work at the Grand Palais in Paris went up just last month, you can watch the video above to see how he works with projectors and stencils to create his artwork that only appears proportional when seen from a specific viewpoint.
August, 1980 American Cinematographer magazine interview with Steadicam inventor and operator Garrett Brown regarding his experience filming The Shining.
February, 1976. Producer Jan Harlan writes to Stanley Kubrick and speaks passionately about a new piece of technology so impressive that it could lead to “shots which would not enter your mind otherwise.” That invention was the now-ubiquitous Steadicam, and Harlan was right to be so impressed. Indeed, Kubrick shared his enthusiasm, so much so that the Steadicam was used extensively and to great effect in his next movie, The Shining — most notably the smooth tracking shots in the hotel’s corridors — and in every film of his that followed.